Service · Berlin
Depending on the genre, sing in our cozy vocal booth for a tight controlled sound, in our large, ambient room for bigger voices, or even in our stairwell with its gorgeous long reverberance. With our curated selection of mics and outboard gear and an engineer who keeps the vibe relaxed — singers of all genres come here to track in a setting that lets them do their best work.
VOCAL ROOMS
Our vocal booth is cozy and intimate in tone — broadband absorption with a touch of diffusion, but with enough space to make long sessions confortable. For voices that want air around them — choirs, opera, and big voices — we open up the main room or even our highly ambient stairwell with its spectacular reverb.
The mic locker
We keep a focused selection rather than a long list — classic Neumann large-diaphragm condensers, a variety of tube classics for more flavor, ribbons for the warmth, and dynamic options when the voice is loud or the room is uncertain. Before any session we suggest a starting mic; whenever we have time, we always like to try a few other options.
How we work
Vocal sessions need patience and immense concentration — vocals are physical and emotional and the smallest of nuances can be very important. We keep the talkback constructive, the lighting soft and the clock invisible. Comps and tuning are handled afterwards; in the room itself, the focus is on getting full performances that the singer is happy to listen back to.
Who it's for
Lead pop and jazz vocals, backing-vocal stacks, classical voice, opera, gospel and sacred music, voice acting, podcast and audiobook work — the booth and the main room cover the full range.
Fantastic, peaceful location to record with high quality instruments & equipment. Robert is a highly skilled professional in every sense with audio, but also a very friendly & accommodating person. He has the unique ability to get the best out of the artist & do a great service to the music. Thanks so much for your fabulous work on my single, Rob! It is much appreciated!
Yes, and we encourage it when the performance lifts with the band. The isolation booth keeps bleed manageable; usually only a handful of phrases get re-cut afterwards, not the whole take.
Comping happens in post from labelled takes, with the singer involved if they want to be. Tuning is done with care — manual where it matters, subtle where it doesn't, and not at all when the song asks for raw.
Yes — small ensembles in the main room, larger choirs on location in a hall or church. See our classical on-location service for the mobile rig.
We work with a small circle of producers and vocal coaches who can be booked alongside the session if you want a second pair of ears in the room.
Let's plan a session together.
Tell us about the music, the players and the sound you'd like to hear back. We'll come back with a plan.
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